I’m a Brooklyn-based artist, designer, writer, and facilitator.
My work moves between Skypunch, my curatorial practice following the charge between art, landscape, and adventure; and Nascent Spiral, my practice of inquiry and creative interference in service of possibility—helping people see beyond the shapes they already know and give form to what comes next.
I also take on select freelance brand work as designer, art director, and creative lead.
Across every form my work takes, I’m circling the same questions: how does something imagined become tangible? How do we give new shape to what already exists? And what makes a person, a place, or an idea feel alive?
Whether I’m building a world for a brand, following an artist into the landscape, or working alongside someone as they give shape to what comes next, I’m interested in our capacity to imagine beyond what already exists—and make something of what we find there.
Skypunch is my curatorial practice rooted in curiosity, research, and direct encounter.
I follow artists, ideas, objects, and landscapes that carry a particular charge, researching the relationships between them and allowing that research to find its form.
Sometimes that becomes an art book, a collection, an object, a piece of ephemera, or a Field Study—research conducted in place.
I’m interested in art history as something alive: something that can be held, visited, traveled through, and brought into new relationships.
Nascent Spiral is my practice of inquiry and creative interference in service of possibility.
I work with artists, designers, founders, and other people who make things—especially when the work, the practice, or the person making it is changing shape.
I believe imagination helps us see beyond the shapes we already know—and that we have the capacity to participate in what takes shape next.
Through conversation, inquiry, experimentation, and creative operations, we work with what’s already there: interrupting what has become habitual, following what has energy, and giving form to possibilities that can be difficult to see from inside them.
Sometimes that happens one-to-one. Sometimes collectively through workshops and creative practice. People tend to arrive through a project, passage, pivot, or practice.
The form changes, but the underlying question remains:
What becomes possible when we stop repeating what we already know—and begin giving shape to what we can imagine?
I bring 13+ years of experience as a conceptual creative lead and art director. I work with brands that have something bold to say, helping sharpen a point of view, build a visual language, and execute it with genuine craft and a distinct sense of play. The work starts with a real idea and moves outward across design, film, photography, animation, 3D, and beyond.
Want to collaborate? Say hello :)